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mariann

mariann
“Like good manners and good grooming, superior sexual skills
never go out of fashion. They’re timeless and ageless.
And even more than beauty, remain a woman’s greatest asset.”
- Lady M
Born and raised in pastorally tranquil Stepford, the charmingly capricious Lady M knew early on that she wanted a different – less regimented – sort of life for herself…but with all the creature comforts of home. A little voice inside her pretty little head told her to “Go West, young woman” – which led her to the manicured lawns of the more suitably sophisticated and devil-may-care Beverly Hills…and to a joyously happily ever after...and another happily after that...when she finally stopped catering to the needs of others, and finally figured out what SHE wanted!

Now temporarily between husbands, Lady M still thrills to the sport of seduction, and continues to practice it as High Art.

Take note. Her brush strokes are deceptively simple…but delightfully – and disarmingly – effective. As a feminine icon, she embodies that enigmatic trademark …“A Lady in the living room…a Master Chef in the kitchen…and a Whore in the bedroom.”
* * *
Mariann Aalda
mariann

Lady, M’s alter-ego, Mariann Aalda, grew up in the suburbs of Chicago, and – after graduating from Southern Illinois University with a concentration in Theater and Journalism – emigrated to the more suitable sophistication of New York City, where she continued her theater training at the renowned Negro Ensemble Company with classmates Robert Townsend and Laurence Fishburne. Upon graduation, she debuted in The New Federal Theater production of Take It From the Top, starring (and written and directed by) the legendary – and recent Kennedy Center honorees – Ossie Davis and Ruby Dee.

A yen to do comedy came calling, and Mariann answered it by joining the New York sketch comedy troupe, Off-Centre Theater as a writer and performer; and touring with the improv group, The Proposition. She came in off the road after being tapped for a contract role on the ABC soap opera, Edge of Night, as feisty criminal defense attorney, “DiDi Bannister,” for which she won an AFTERNOON TV award as “Most Promising Newcomer.”

Edge head writer, Henry Slesar, once said to her of her portrayal: “I love making you suffer, because you suffer so well.” And suffer she did, as “DiDi” endured the tribulations of being involved in a torrid love triangle; being brainwashed and carted of to an insane asylum in a straight-jacket; being held hostage at knife-point by a crazed, irate client; reuniting with her estranged brother, only to then have to help him beat a murder rap…and on and on…and on…earning her accolades from the African-American community as one of the few black heroines – and positive role models – of that time (1981-85) on daytime television. “I’m amazed at how much that character still means to so many people,” says Aalda. “I’ve actually had young women come up to me and say that ‘DiDi’ inspired them – and made them believe that it was possible – to go to law school!”

When Edge went off the air, Aalda moved to Los Angeles and began a quest of guest-starring in television shows too numerous to mention. Most notably, she starred opposite O.J. Simpson for three seasons, as his wife on the HBO football saga, First & 10; and with Redd Foxx and Della Reese, as their daughter, on the CBS sitcom, The Royal Family. Having just finished rehearsing a scene with Foxx minutes before his fatal heart attack, and watching him take a tumble that had everyone on set believing he was just doing a pratfall, Aalda finds solace in the fact that the phenomenal entertainer got his final send-off to the sound off laughter ringing in his ears. “Just like an old gunslinger,” says Aalda, “Redd died with his boots on. He was surrounded by people who loved him…doing what he did best…and owing the IRS money. What a way to go!

“I learned a lot from him about comedy timing, reacting and “naughty” innuendo. I think he’d get a kick out of the girl who played his ‘goody-goody’ daughter, now doing such an outrageously bawdy show!”

Another career highlight was Aalda’s recurring role on Designing Women. as Meshach Taylor’s notorious, yuppie-from-hell girlfriend, (“I’ll be waiting in the Beamer”) “Lita Ford.” Co-starring, again, with Taylor in the teen cult film Class Act, as the clueless housewife, “Julie Pinderhughes,” New York Times film critic, Janet Maslin wrote that the duo “…provided the film’s funnier episodes.”

“I love working with Meshach,” says Aalda, “we riff well off each other. Working with him is just like playing in a sandbox…pure fun.”

A return to soaps in NBC’s Sunset Beach had Aalda “suffering” – and off to the mental hospital – again; this time earning her the dubious distinction of being named as one of the perpetrators in Soap Opera Weekly’s “Best Bad Storyline” of 1998, (Martin’s Syndrome) as the tragically disfigured and tormented “Lena Hart.”

Never content to be “just an actress,” Aalda formed PeopleLikeUs Productions with fellow Chicagoan, writer-producer, Karen Greyson, to write and produce multi-cultural and multigenerational film, theater and television projects. Cited by the California State Assembly for her volunteer work with Friends of the Family’s Teen Parents Program, Aalda was also named “Volunteer of the Year” by the Los Angeles Dept. of Children’s Services for her work at MacLaren Children’s Center. As a motivational speaker and seminar leader, she has given presentations for organizations as diverse as the Screen Actors Guild, Adelphia, and the Chicago Dept. of Human Services – with Executive Women International and her Alma Mater, Southern Illinois University, booked for later this year.  My Kid Is My Guru: Christopher’s Wisdom, a CD containing tracks of two of the powerful motivational tools she uses in her presentations – progressive relaxation and guided imagery –  is available on her website. (Click here to listen to an excerpt.)

Mariann’s life continued to merrily roll along – as a working actress, writer, wife and mother – till the wheels came off in 2001, when, in rapid succession: her father died; her mother was diagnosed with cancer; her last child left for college; her husband decided he didn’t want to be married anymore; she lost her SAG (Screen Actors Guild) health insurance, and she had her first hot flash.

After a year in Chicago, (spent getting her mother through chemotherapy…to date, her mom is cancer free!) Mariann returned to Los Angeles – and after spending a year at The Hypnosis Motivation Institute training to become a hypnotherapist, she became her own best client.

“During my residency, I saw a pattern of mid-life depression in many of my female clients. Clearly, they were being ‘hypnotized’ by the media into believing that they lost value as they got older – until, at a certain point, they thought they were totally worthless.

“Circumstances of the previous couple years had me buying into that belief, too. But, as I began giving positive suggestions to my clients under hypnosis, my own belief system began to change in a way that made it impossible for me to continue to just ‘talk the talk’…I had to ‘walk the walk’!

“I resumed my acting and writing career with a new enthusiasm and purpose. I had seen the devastation that the lack of role models for women in their prime had created…and became determined to do something about it. There was a void out there – especially for women of color – so I started developing projects to fill it.”
The result, in 2004, was a line of SNAP OUT OF IT! empowerment products, and a successful one-woman comedy cabaret, Black Don’t Crack…But Don’t Try and Spread It Too Thin, billed as “wit, wisdom and wisecracks for women over forty…and those planning on living to be.” To reach a larger audience, Aalda recorded a live performance and turned it into a “humor and empowerment” CD, which she sells on her website: www.BlackDontCrack.com. With Greyson, her PeopleLikeUs Productions partner, she also began writing Dear People Like Us, an “ethnic etiquette advice column” for the hip, online urban magazine, BlackberrySpeak.com, as well as serializing Black Don’t Crack as a humor column. In 2005, she teamed up with the exceptionally talented actresses, Iona Morris and Lola Love, and ambitiously formed 3 Blacque Chix Enterprises to reach an even broader audience…
“HEROTIQUE-AAHH... is the first installment in a trilogy of live performance productions celebrating the innate sensuality, sexuality, joy, wisdom and power that comes with maturing womanhood – and which often goes unrecognized and untapped in African-American women, especially. In addition to stage shows, we’re planning a concert tour, DVD’s, motivational workshops and an empowerment product line…and that includes enhancing sexual empowerment.

“Ironically, while the media has identified black women as a sexual icon, we tend to give more thought and attention to pleasuring our men, caring for our families, and tending to our careers, than we do to giving – or even expecting – comfort, nurturing and sexual pleasure for ourselves."
3 Blacque Chix is about celebrating sexuality…and making women feel worthy of having their needs and desires satisfied – in addition to being loved, cherished and respected.  

“Playing Lady M in HEROTIQUE-AAHH... is probably the most freeing and gratifying role of my career…and definitely the most fun to play! When I’m performing, it’s as though I’m ‘channeling’, and when I’m writing her, it’s like I’m taking dictation."

“Not only do I get to parody the type of women I frequently got cast as when I moved to L.A. – ‘upscale’ and pampered, with no visible means of support, though obviously well-maintained – but as I am Lady M’s alter-ego, she is also mine. The exploration of her character and how to play her has provided an extraordinary journey of my own personal growth and discovery.

“As someone who’s worked hard all her life, juggling career and raising a family, there’s a part of me that has secretly envied this kind of woman…the kind who uses her sexuality to get her needs met. Having grown up during the era of the Women’s Movement, I guess I always thought of that as ‘cheating.’ But now, I’m not so sure.
“Is using one’s ‘feminine wiles’ manipulation? Or are those skills God’s way of evening out the playing field for the ‘weaker sex’? Here’s an example…


“Not long ago, a cop pulled me over for making a left-hand turn against a red arrow (the light was green for the thru-traffic, and I swear to you, I did not see that red arrow!). To make matters worse, I wasn’t wearing a seat-belt (I was on my way to an audition and didn’t want to rumple my outfit…but I swear to you, I have always worn my seat-belt from that day on!); I also didn’t have my driver’s license on me…having left it in my gym bag.

“Looking through my rear-view mirror at this big, burly motorcycle cop walking towards my car, some intuitive, primal instinct kicked in…and I became very ‘girlie’ and started to flirt like crazy!

“I’m sure that Lady M would have been very proud of me…and the very, very nice police officer let me go with just a warning.”
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