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“Like
good manners and good grooming, superior sexual skills
never go out of fashion. They’re timeless and ageless.
And even more than beauty, remain a woman’s greatest asset.”
- Lady M |
Born
and raised in pastorally tranquil Stepford, the charmingly capricious Lady
M knew early on that she wanted a different – less regimented –
sort of life for herself…but with all the creature comforts of home.
A little voice inside her pretty little head told her to “Go West,
young woman” – which led her to the manicured lawns of the more
suitably sophisticated and devil-may-care Beverly Hills…and to a joyously
happily ever after...and another happily after that...when she finally stopped
catering to the needs of others, and finally figured out what SHE wanted!
Now temporarily between husbands, Lady M still thrills to the sport of seduction,
and continues to practice it as High Art.
Take note. Her brush strokes are deceptively simple…but delightfully
– and disarmingly – effective. As a feminine icon, she embodies
that enigmatic trademark …“A Lady in the living room…a
Master Chef in the kitchen…and a Whore in the bedroom.” |
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Mariann Aalda |
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Lady,
M’s alter-ego, Mariann Aalda, grew up in the suburbs of Chicago,
and – after graduating from Southern Illinois University with a
concentration in Theater and Journalism – emigrated to the more
suitable sophistication of New York City, where she continued her theater
training at the renowned Negro Ensemble Company with classmates Robert
Townsend and Laurence Fishburne. Upon graduation, she debuted in The New
Federal Theater production of Take It From the Top, starring (and written
and directed by) the legendary – and recent Kennedy Center honorees
– Ossie Davis and Ruby Dee.
A
yen to do comedy came calling, and Mariann answered it by joining the
New York sketch comedy troupe, Off-Centre Theater as a writer and performer;
and touring with the improv group, The Proposition. She came in off the
road after being tapped for a contract role on the ABC soap opera, Edge
of Night, as feisty criminal defense attorney, “DiDi Bannister,”
for which she won an AFTERNOON TV award as “Most Promising Newcomer.”
Edge head writer, Henry Slesar, once said to her of her portrayal:
“I love making you suffer, because you suffer so well.” And
suffer she did, as “DiDi” endured the tribulations of being
involved in a torrid love triangle; being brainwashed and carted of to
an insane asylum in a straight-jacket; being held hostage at knife-point
by a crazed, irate client; reuniting with her estranged brother, only
to then have to help him beat a murder rap…and on and on…and
on…earning her accolades from the African-American community as
one of the few black heroines – and positive role models –
of that time (1981-85) on daytime television. “I’m amazed
at how much that character still means to so many people,” says
Aalda. “I’ve actually had young women come up to me and say
that ‘DiDi’ inspired them – and made them believe
that it was possible – to go to law school!”
When Edge went off the air, Aalda moved to Los Angeles and began
a quest of guest-starring in television shows too numerous to mention.
Most notably, she starred opposite O.J. Simpson for three seasons, as
his wife on the HBO football saga, First & 10; and with Redd
Foxx and Della Reese, as their daughter, on the CBS sitcom, The Royal
Family. Having just finished rehearsing a scene with Foxx minutes
before his fatal heart attack, and watching him take a tumble that had
everyone on set believing he was just doing a pratfall, Aalda finds solace
in the fact that the phenomenal entertainer got his final send-off to
the sound off laughter ringing in his ears. “Just like an old gunslinger,”
says Aalda, “Redd died with his boots on. He was surrounded by people
who loved him…doing what he did best…and owing the IRS money.
What a way to go!
“I learned a lot from him about comedy timing, reacting and “naughty”
innuendo. I think he’d get a kick out of the girl who played his
‘goody-goody’ daughter, now doing such an outrageously bawdy
show!”
Another
career highlight was Aalda’s recurring role on Designing Women.
as Meshach Taylor’s notorious, yuppie-from-hell girlfriend, (“I’ll
be waiting in the Beamer”) “Lita Ford.” Co-starring,
again, with Taylor in the teen cult film Class Act, as the clueless housewife,
“Julie Pinderhughes,” New York Times film critic, Janet Maslin
wrote that the duo “…provided the film’s funnier episodes.”
“I love working with Meshach,” says Aalda, “we riff
well off each other. Working with him is just like playing in a sandbox…pure
fun.”
A return to soaps in NBC’s Sunset Beach had Aalda “suffering”
– and off to the mental hospital – again; this time earning
her the dubious distinction of being named as one of the perpetrators
in Soap Opera Weekly’s “Best Bad Storyline” of 1998,
(Martin’s Syndrome) as the tragically disfigured and tormented “Lena
Hart.”
Never content to be “just an actress,” Aalda formed PeopleLikeUs
Productions with fellow Chicagoan, writer-producer, Karen Greyson,
to write and produce multi-cultural and multigenerational film, theater
and television projects. Cited by the California State Assembly for her
volunteer work with Friends of the Family’s Teen Parents Program,
Aalda was also named “Volunteer of the Year” by the Los Angeles
Dept. of Children’s Services for her work at MacLaren Children’s
Center. As a motivational speaker and seminar leader, she has given presentations
for organizations as diverse as the Screen Actors Guild, Adelphia, and
the Chicago Dept. of Human Services – with Executive Women International
and her Alma Mater, Southern Illinois University, booked for later this
year. My Kid Is My Guru: Christopher’s Wisdom, a CD containing
tracks of two of the powerful motivational tools she uses in her presentations
– progressive relaxation and guided imagery – is available
on her website. (Click
here to listen to an excerpt.)
Mariann’s life continued to merrily roll along – as a working
actress, writer, wife and mother – till the wheels came off in 2001,
when, in rapid succession: her father died; her mother was diagnosed with
cancer; her last child left for college; her husband decided he didn’t
want to be married anymore; she lost her SAG (Screen Actors Guild) health
insurance, and she had her first hot flash.
After a year in Chicago, (spent getting her mother through chemotherapy…to
date, her mom is cancer free!) Mariann returned to Los Angeles –
and after spending a year at The Hypnosis Motivation Institute training
to become a hypnotherapist, she became her own best client. |
“During
my residency, I saw a pattern of mid-life depression in many of my female
clients. Clearly, they were being ‘hypnotized’ by the media
into believing that they lost value as they got older – until, at
a certain point, they thought they were totally worthless.
“Circumstances of the previous couple years had me buying into that
belief, too. But, as I began giving positive suggestions to my clients
under hypnosis, my own belief system began to change in a way that made
it impossible for me to continue to just ‘talk the talk’…I
had to ‘walk the walk’!
“I resumed my acting and writing career with a new enthusiasm and
purpose. I had seen the devastation that the lack of role models for women
in their prime had created…and became determined to do something
about it. There was a void out there – especially for women of color
– so I started developing projects to fill it.” |
| The
result, in 2004, was a line of SNAP
OUT OF IT! empowerment products, and a successful one-woman comedy cabaret, Black Don’t Crack…But Don’t Try and Spread It Too
Thin, billed as “wit, wisdom and wisecracks for women over forty…and
those planning on living to be.” To reach a larger audience, Aalda
recorded a live performance and turned it into a “humor and empowerment”
CD, which she sells on her website: www.BlackDontCrack.com.
With Greyson, her PeopleLikeUs Productions partner, she also began writing Dear People Like Us, an “ethnic etiquette advice column”
for the hip, online urban magazine, BlackberrySpeak.com,
as well as serializing Black Don’t Crack as a humor column. In 2005,
she teamed up with the exceptionally talented actresses, Iona Morris and
Lola Love, and ambitiously formed 3 Blacque Chix Enterprises to reach an even broader audience… |
“HEROTIQUE-AAHH...
is the first installment in a trilogy of live performance productions
celebrating the innate sensuality, sexuality, joy, wisdom and power that
comes with maturing womanhood – and which often goes unrecognized
and untapped in African-American women, especially. In addition to stage
shows, we’re planning a concert tour, DVD’s, motivational
workshops and an empowerment product line…and that includes enhancing
sexual empowerment.
“Ironically, while the media has identified black women as a sexual
icon, we tend to give more thought and attention to pleasuring our men,
caring for our families, and tending to our careers, than we do to giving
– or even expecting – comfort, nurturing and sexual pleasure
for ourselves." |
| 3
Blacque Chix is about celebrating sexuality…and making women feel worthy of having
their needs and desires satisfied – in addition to being loved, cherished
and respected. |
“Playing Lady M in HEROTIQUE-AAHH... is probably the most freeing and gratifying role of my career…and definitely the most fun to play! When I’m performing, it’s as though I’m ‘channeling’, and when I’m writing her, it’s like I’m taking dictation."
“Not only do I get to parody the type of women I frequently got
cast as when I moved to L.A. – ‘upscale’ and pampered,
with no visible means of support, though obviously well-maintained –
but as I am Lady M’s alter-ego, she is also mine. The exploration
of her character and how to play her has provided an extraordinary journey
of my own personal growth and discovery.
“As someone who’s worked hard all her life, juggling career
and raising a family, there’s a part of me that has secretly envied
this kind of woman…the kind who uses her sexuality to get her
needs met. Having grown up during the era of the Women’s Movement,
I guess I always thought of that as ‘cheating.’ But now,
I’m not so sure.
“Is using one’s ‘feminine wiles’ manipulation?
Or are those skills God’s way of evening out the playing field
for the ‘weaker sex’? Here’s an example…
“Not long ago, a cop pulled me over for making a left-hand turn
against a red arrow (the light was green for the thru-traffic, and I
swear to you, I did not see that red arrow!). To make matters worse,
I wasn’t wearing a seat-belt (I was on my way to an audition and
didn’t want to rumple my outfit…but I swear to you, I have
always worn my seat-belt from that day on!); I also didn’t have
my driver’s license on me…having left it in my gym bag.
“Looking through my rear-view mirror at this big, burly motorcycle
cop walking towards my car, some intuitive, primal instinct kicked in…and
I became very ‘girlie’ and started to flirt like crazy!
“I’m sure that Lady M would have been very proud of me…and
the very, very nice police officer let me go with just a warning.”
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